Assistant professor in the Department of Cultural Studies of the SWPS University in Warsaw. In 2008-2012 worked as assistant and 2012-2019 as assistant professor in the Institute of Literary Research of the Polish Academy of Sciences, in the Department of Late Modernity Literature and Culture. Co-founder of View. Since 2024 head of Center for Comparative Research on Memory Cultures (CCRM). Author of articles and translations interested in the relations of art, literature, history and psychoanalysis. Translated among others Michael Rothberg's "Multidirectional Memory. Remembering the Holocaust in the Age of Decolonization" (Warsaw 2016). Author of a book "Wydarzenia po Wydarzeniu: Białoszewski – Richter – Spiegelman" [Events after the Event: Białoszewski – Richter – Spiegelman] (Warsaw 2012). Editor and one of translators of Ernst van Alphen's book "Criticism as Intervention: Art, Memory, Affect" (Krakow 2019). Receipient of numerous research grants and awards, including Fulbright, National Centre for Science, Horizon2020.

PhD Candidate in Doctoral School of Humanities at the University of Warsaw. He runs a research grant focused on the deals with the input of Central and Eastern European emigrants into the post-war American film avant-garde (“Pearls of Science” grant funded by Polish Ministry of Science and Higher Education). He conducted his research at the University of Toronto and at the Institute for Human Science in Vienna (IWM) within Jerzy Giedroyc Fellowship. He has published in “Kwartalnik Filmowy”, “IWM Post”, Filmowy”, “Kultura Współczesna”, “Ekrany”. He is also a film critic awarded in Krzysztof Mętrak Competition (2023, 2024).

(PhD 2012) is an art historian, curator, and editor specializing in postwar Polish and Eastern European art, critical museum studies, and contemporary practices. Her curatorial projects often explore parallels between the postcommunist and postcolonial condition. She published in academic books (from Brill, Routledge, Oxford Univ. Press, MSN), exhibition catalogues (from MoMA, Tate, Berlin Biennale), journals and magazines (Artium Quaestiones, Art in America, The Washington Post). Moskalewicz was awarded Jean Goldman „Literary Lions” Book Prize 2017 (for Halka/Haiti) and Mary Zirin Prize 2020 from the Association for Women in Slavic Studies;  her research was supported by A.W. Mellon Foundation, Kosciuszko Foundation, The Getty, The Clark, et al. She worked in higher education and art institutions in Europe and the United States, including: Carnegie Mellon University in Pittsburgh, School of the Art Institute of Chicago, The Museum of Modern Art, New York, FRONT International in Cleveland, and was the curator of the Polish Pavilion at the 56^th Venice Biennale (2015).

is an art historian and Alfred Landecker Lecturer at the Freie Universität in Berlin. Her research focuses on the representation and memory of the Holocaust and the Second World War in mid-20th century European visual arts and culture. She holds degrees from the University of Warsaw (2009) and the Freie Universität in Berlin (2017). Her first book, Art in a Disruptive World: Poland, 1939-1949, was published by the Museum of Modern Art in Warsaw and the Academy of Fine Arts in Warsaw in 2021. Currently, she is working on the project How Exhibitions Rebuilt Europe: Exhibiting War Crimes in the 1940s and an exhibition on early war crimes and Holocaust exhibitions at the German Historical Museum in Berlin.

Artist working mainly with photography, Assistant Professor at the Lodz Film School, art historian. Director of the Visual Narratives Laboratory. Recipient of a Fulbright Junior Research Grant at Hohns Hopkins University (2009-2010), and grants, among others, from the Polish Minister of Science and Higher Education, the Minister of Culture and National Heritage, and the Shpilman Institute of Photography. Headed and partcipated in grants from the Polish Minister of Science and Higher Education, the National Science Centre, and the National Programme for the Development of Humanities.

Interested in developing convincing visual forms of thinking, as an artist he focuses primarily on the aesthetic – that is, sensual – dimension of the epistemological, political, and ethical, creating visual archeologies of institutions and discourses, biographies of people and things.

Authored a monograph on modernism as seen through the the dual prism of the figure of Michael Fried and photography as a technology that changed our understanding of art (Archeologia modernizmu. Michael Fried i nowoczesne doświadczenie sztuki [An Archeology of Modernism. Michael Fried, Photography, and the Modern Experience of Art], 2017), as well as (Post)Modern Fate of Images: Allan Sekula / Thomas Struth (2013). Edited the volumes Object Lessons: Zofia Rydet’s „Sociological Record” (2017) and The Archive as Project (2011). A collection of his translations of essays by Allan Sekula was published by the Warsaw University Press in 2010.

Participant of PLAT(T)FORM 2012 at the Fotomuseum Winterthur. His project, Lives of the Unholy (2009-2012), was presented at C/O Berlin.

Sociologist and art historian, PhD student at the Doctoral School of Social Sciences at the University of Warsaw, graduate of the Faculty of Visual Culture Management at the Academy of Fine Arts in Warsaw and the Interdepartmental Individual Studies in the Humanities at the University of Warsaw. Awarded in 2021 by the GESSEL Foundation for Zachęta National Gallery of Art for the best MA thesis. She has participated in research projects of the Institute for Advanced Studies, the Institute of Philosophy and Sociology of the Polish Academy of Sciences and the Museum of Modern Art in Warsaw. As part of her doctoral studies she is researching the mechanisms of knowledge production in the Polish art field on the example of the discourse changes around socialist realism.

 Assistant Professor at the Institute of Polish Culture (Department of Theater and Performance) at University of Warsaw. The author of the book about three actresses of the communist period in Poland entitled “Królowe PRL. Sceniczne wizerunki Ireny Eichlerówny, Niny Andrycz i Elżbiety Barszczewskiej jako modele kobiecości” (2014). She has participated in scientific projects Sources and Mediations (NPRH funds), Performances of Memory (NCN) and Mask in the Culture of Modern Europe (NCN). She has published articles in Polish and foreign academic journals such as Performance Research and Czech Theatralia. She is co-editor of the book Robotnik. Performances of Memory (Theater Institute/KiP, 2017). She is currently working on the project Odmieńcy. Performances of Otherness in the Polish Transition Culture  (NCN) and is a co-investigator in the project Epidemics and Communities in Critical Theories, Artistic Practices and Speculative Fiction of Recent Decades. She is a member of the Historiography working group within the International Federation for Theater Research. From 2009 to 2011 she worked at the Dramatyczny Theater in Warsaw.

Photographer and visual artist. Graduated journalism and social communication from Nicolaus Copernicus University in Toruń, Poland, and photography at the University of Art in Poznań, where he recently does his doctoral studies. His main interests are materiality of digital images, politics and social issues, architecture and human-nature relations.

Sociologist, assistant professor at the Faculty of Sociology, University of Warsaw, where he defended his PhD thesis in 2016. His scientific interests include theories of ideology, symbolic power and social classes. He lectures on classical sociological theories, and has conducted seminars on conceptions of modernity and psychoanalytical analysis of power. He is an author of the book Teorie ideologii na przecięciu marksizmu i psychoanalizy [Theories of ideology at the junction of Marxism and psychoanalysis] (2018). Świrek published in "European Journal of Social Theory”, „Studia Socjologiczne”, „Societas/Communitas”, „Przegląd Humanistyczny”, „Hybris”, and others. As a film critic he has collaborated with „Kino” monthly and „dwutygodnik.com”.

Anthropologist, turkologist, editor, cyclist. Author of articles, reviews and photo essays published, among others in Konteksty, Nowe Książki, Notes na 6 tygodni, Widok, Dziennik Opinii, (op.cit.,) and Kultura Liberalna.

Native English proofreader, resident in Poland. Has worked with HBO, Ossolineum (inc. Muzeum Pana Tadeusza), BWA Wrocław, Dom Spotkań z Historią, Muzeum Historyczne Miasta Krakowa (inc. Fabryka Schindlera), Fundacja Kulik-KwieKulik, Akademia Muzyczna w Krakowie, Małgorzata Rejmer, and Glissando, among others.

Artist, proofreader/subeditor. Art History and Fines Arts degrees, Auckland University, New Zealand.

Editor, sociologist, graduate of the University of Warsaw and the School of Social Sciences of the Polish Academy of Sciences. She edits literature on philosophy and social sciences, new media, art history and architecture.